Despite being superstitious about sharing details of a project I think it won’t draw evil upon my current project if i share a few screen shots and words about the why , what and how.
Basically as all reading this blog over the past few years would know, I tend to be like a kid in a toy store when it comes to projects and in particular anything related to the visual arts and story telling. I have a few roughed out books on my hard drive sitting beside a few short near-completed animations and plenty more of the same begging exit from the creative section of my brain. I’m one those people who dive into something and when the creative process is completed and it’s no longer fun and games, I get bored and look for something else to play with. Either that or I go into one of my recurring bouts of clinical depression and select all and delete. I’m sure many can relate to that and the bit where later you find yourself madly going through files on the external hard drive hoping there was a backed-up copy you had forgotten existed. To be fair to myself, some projects are beyond what a person can create by themselves.
Problem is I’m not getting any younger and would like to actually complete a major project and so and summing up what I know and my skill portfolio, I decided a comic strip would be the best option even if figure drawing, the most important skill in comic strip creation, is something I have not done for well over a decade. As my father used to say ‘there is no such thing as the perfect circumstances to start something’, and he was right, at some point if you burn to do or create something then just jump in and get started. Sort out the problems as you go along.
So with no small amount of self-doubt I dragged out from the dark corners of a back-up hard drive a script previously written for an animation based on actual life events experienced by street kids I worked with in the past and went about re-writing it as a story that could be told in drawn frames and speech bubbles. When that was done and there no excuse left, I fired up Krita, the open source paint application, and after a first test (previously posted on this blog) to get a feel for the software which I rarely used before, started roughing out page number One.
I can confirm from that initial experience that drawing people is difficult if there was any lingering doubt in anyone’s mind but as I progress through this work a new problem is becoming apparent and it is that like the proverbial ability to ride a bicycle, long lost figure drawing skills are beginning to return which means I will be going back over the already sketched out pages. My work method is from the written story I sketch out a rough and entirely hand drawn version of each page and then work up a version that is still a pencil sketch but closer to what will later be inked, painted with speech bubbles and text added in the end. What I’m finding is that the second pencil sketch done using for example Blender 3D to assist with tricky perspective is not as alive as the entirely hand-drawn rough. Below is an example where this difference is apparent. The second version is more detailed and has some obvious background changes but clearly relying less on intuition and spontaneity is I think not as good as the original could be when my confidence returns and I can work with at most a perspective grid.