Tag Archives: ACT UP

Neutered gays.

Result of the gay marriage plebiscite will be known tomorrow. Sad thing is I can’t think of any guy I’d want to marry and that I know for sure to be alive. Anyway, all this social engineering bullshit distracts from what we should be most worried about and that is of course avoiding the sixth great extinction, if that is still possible.

A few recent pictures including one below I took at the ‘yes’ march in Sydney. If you read the Paglia interview you may remember how – back in 1995 – she described the mainstream, gay activist “ACT UP” style, “When I look around and I see the kind of ACT UP style, with the short shorts and the combat boots and a kind of skinhead look, I think, first of all, how childish, and secondly, how desexualized, no matter what people say, how utterly neutered.” Well, nothing appears to have ‘changed’ much in over twenty years. Reading Paglia’s comments I remembered a picture I took at the ‘vote yes’ march parade in September. See below…

Photograph of adult male dressed in cut-off jeans shorts, tShirt and boots at gay marriage protest march in September in Sydney.

So what’s different from Paglia’s description of twenty years ago?

OK, not a great comparison but let’s compare the above to Caravaggio’s ‘Amor’ painted circa 1600 (below) and which Robert Hughes described in his “Shock of the New” art documentary as “the victory of sex over culture”. I don’t agree with Hughes but it has to be said he was Australian and the product of a sex-adverse Australian culture particularly at the time when he made that documentary. Sex is front and centre of course in Caravagggio’s painting but the painter would have acknowledged his painting of Amor is in agreement with Mann’s “Death in Venice”. The beautiful Tadzio (below Amor) is Amor and Aschenbach, like Caravaggio, is the artist who bows before divine beauty as made visible to us by the gods in the form of the boy beautiful. This was gay culture at its highest and how it existed up until I’d say the immediate post-Stonewall period when and as the ‘yes’ march photograph clearly shows it became a sad, childish and neutered parody of what it had been.

Caravaggio's 'Amor Victorious" circa 1600

Love’s victory over all other human achievements.

The beautiful boy 'Tadzio'. Still from Visconti's film adaptation of Mann's novel 'Death in Venice'.

‘Tadzio’ the boy beautiful as represented in Visconti’s screen adaptation of Thomas Mann’s novel “Death in Venice”.

And a few recent pictures of mine and such as they are…

Man with baby daughter.

A friend with his baby daughter.

Black and white night photograph of back of buildings and graffiti in Katoomba, New South wales, Australia. Photograph by Paul Nyssen.

Many of these pictures are taken with a small point-and-shoot whilst out walking to the shops in Katoomba.

Night black and white picture of light cast on wall and that gives the impression of church windows.

Felt a bit mystical. lol